![]() And with follow-up releases like the blissfully chaotic Broken Social Scene (2005), the rapturous Forgiveness Rock Record (2010), and the intricate, insidiously melodic Hug of Thunder (2017), Broken Social Scene have amassed a thrillingly amorphous, unpredictable body of work. Where the band’s 2001 debut album, Feel Good Lost, presented BSS as an anonymous ambient project that reflected its humble, homespun origins, their electrifying live performances from that era rallied an extended family of performers with roots in post-rock (Justin Peroff, Do Make Say Think’s Charles Spearin), Latin jazz (Andrew Whiteman), art-folk (Feist), synth-pop (Amy Millan and Evan Cranley, also of Stars), dance-punk (Metric’s Emily Haines and Jimmy Shaw), and country rock (Jason Collett).īut by pursuing improvisational freedom over commercial considerations, Broken Social Scene set a new gold standard for indie rock in the 21st century with 2002’s You Forgot It In People, an album that pushed the genre far beyond its noisy ’90s slacker roots toward a more sonically expansive, emotionally expressive vision. Once a two-person basement recording project, Broken Social Scene came to life onstage as a shadowy improvisational entity with a revolving-door roster, each concert a wholly unique experience dependent on the room, the weather, what they ate for dinner that night, and who was dropping in to play. Is it a collective? Certainly, it can seem that way when you see some 15 people crowding the stage, but BSS aren’t so much a united front as a perpetually mutating aggregate of competing creative energies. Is it a cult? Nah-some of them have the beards, but they could never agree on the right robes. Bands tend to have defined memberships and aesthetics and goals Broken Social Scene have never been bothered with such limitations. It’s hard to know what to make of an ongoing experiment like Broken Social Scene. Quite the opposite: Since debuting in 2001, Broken Social Scene have personified the unyielding, incomparable power of IRL human connection. But this social network didn’t require you to stay glued to your smartphone to take part in it. And yes, occasionally, it became a forum for arguments and oversharing. It became a place where they could live out their best lives or fret about the fragile state of the world. Like other such networks you’re familiar with, it quickly expanded to include friends, and friends of friends. If you are having difficulty accessing this website, please call us at 1-51 or email us at so that we can provide you with the services you require through alternative means.įor additional information on our events, assistance purchasing accessible tickets, or for further accessible accommodation requests, please reach out to us directly: 1-51 the dawn of the 21st-century, just as the internet began infecting every aspect of our daily lives, Toronto musicians Kevin Drew and Brendan Canning began building a social network of their own. We strive to maintain WCAG 2.1 Level AA compliance, and to increase the accessibility of our digital content for all. We are committed to full website accessibility for all of our fans, including those with disabilities. To purchase accessible tickets, click on the “Request Accessible Tickets” icon on the respective Ticketmaster event page. We will do our very best to accommodate you with an ease of service that will exceed all expectations.Īccessible tickets are available for all events that Another Planet Entertainment presents. We encourage you to reach out to us directly to purchase tickets and make requests for special accommodations or needs for any event at any venue we present. That said, everyone’s case is individual and each venue and show has its own unique challenge. We strongly believe that if we do everything we can to treat everyone as we ourselves would wish to be treated, we can succeed in our efforts to “turn everyone on” to the magic of the live music experience. ![]() We believe whatever your religion, race, culture, education, gender, ability or disability, that everyone should be able to enjoy music as equally as is reasonably possible and plausible. We thrive on making people happy from the time we open our doors to the last note of the concert. ![]() We believe that music is a universal language that unites all of us and brings people from all walks of life together.
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